Since we have come to understand this, the concept of tension has taken on a positive double meaning: it stands for both performance and intensity of experience. This may also have been one of the reasons behind Katrin Leers-Kulka’s decision to move with the Dresden-based firm Peter Kulka Architektur into the transformer hall of a former municipal power plant. She summarizes the central motivation for this location in terms that are thematically very fitting: “transformation, creativity, and cultural energy.” There was, quite literally, a sense of tension in the air when planning began for around 14 workstations across 240 square meters. “Kraftwerk Mitte” had already established itself as an arts and cultural district, from which the new office environment — now integrated into this architectural and vibrant context — benefits. The renovated existing structure of the two-story wing was incorporated with its strong presence. It interacts with generous glass elements on the ground floor, exposed concrete ceilings, anthracite-colored flooring, and white walls. Spatial transparency and permeability were key design principles, as the workspace concept explicitly sought to balance communication and concentration. Freestanding furniture and space-defining elements structure the original hall volume, creating work areas, retreat niches, and zones for interaction. Moreover, everyone is free to choose their workspace each day. Personal belongings are stored in small organizer boxes, which are picked up in the morning and returned to a shelf in the kitchen at the end of the day. In contrast to the understated, elegant aesthetic of the interior, these boxes are colorful — symbolizing individuality and diversity. Additional variety within the interior design is provided by custom-made furniture, large-format artworks, and full-height, light-colored fabric curtains.
