Filigree

Between Clarity and Versatility

Some prefer clarity, while others are drawn to its opposite—versatility. When interior architecture engages with this idea, it often explores the interplay of light and transparency, shadow and opacity. There is, of course, also the in-between: semi-transparent, diffusely opaque. To avoid rigid spatial boundaries, textiles are often employed as flexible, atmospheric surfaces.

One of the most compelling examples can be found at the German headquarters of textile specialist Création Baumann in Dietzenbach. Here, the showroom is seamlessly integrated into the office and administrative areas—giving employees the opportunity to benefit from the quality of the company’s own products. Spread across 320 square meters, 13 staff members work, interact, and meet with clients. It’s hard to imagine a more ideal testing ground.

A Space That Communicates Fabric Intelligence

Central to the project’s success was the close collaboration with the interior architects. Their refined brief combined three key elements: the design of a focused working environment, a welcoming area for client interaction, and an effective presentation setting. A preparatory workshop with the client laid the foundation for this shared vision.

The result: ergonomic workspaces with excellent acoustics, paired with flexible spatial zoning tailored to customer needs and executed with high aesthetic standards. The primary design and technical motif? Curtains. Used to articulate the company’s textile expertise, the vertical fabrics—wavy, varied in material and execution—appear in understated tones. These never flatten the space; instead, they complement one another or stand confidently on their own.

The office landscape feels soft, cohesive, and at the same time discursive and dynamic. The furniture is carefully matched to the tonal palette of each zone. Work and meeting areas are located along the outer edges of the rectangular floor plan, benefitting from natural light and ventilation. At the open center of the space, communication and presentation areas blend gently together, guided by a sophisticated ceiling track system and fluid, textile room dividers.

What can architecture contribute to a well-designed workplace?

Liane Ackermann: Architecture must, above all, lay the foundation for spaces that support well-being—through good light, air, and warmth—so that people can work with a sense of autonomy. In addition, ergonomic requirements, a diverse product range, as well as colors and sustainable materials should appeal to all the senses and create an atmosphere that encourages both collaboration and focused work.

To what extent should workspace design respond to individual needs?

The best workspaces are developed in close dialogue with the users. When a workspace aligns with the way people work, the concept succeeds—tailored to the specific project and client, and sustainable in the long term. With this approach, users usually feel seen and understood, and within the custom-designed multi-space environment, they can always find the setting that suits their task.

Which functions and/or spaces are most important to you in a work environment?

In the office environments we design, all spaces are equally important. The workstation must function well, of course, but even the placement and quality of the restrooms can convey a strong sense of appreciation when the employer strives to deliver holistic quality. In some cases, communal areas like work cafés are far more important for supporting workflow than focus workstations. That’s why we ideally develop the arrangement and prioritization of spaces together with the client.